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Fists in the pocket

Published by: Nicelenka Category: Other

(1965 Italy 107 mins) force Co: Doria Prod: Enzo Doria Dir, Scr: Marco Bellocchio Phot: Alberto Marrama Ed: Aurelio Mangiarotti Art Dir: Gisella Longo Mus: Ennio Morricone Cast: Lou Castel, Paola Pitagora, marino Masé, Liliana Gerace, Stefania Troglio, Pierluigi Troglio, Jenny Mac Neil, Mauro Martini, Gianni Schicchi As a gesture, a clenched fist in a pocket speaks of unsuccessful repression. If a mitt virtually always signifies impending violence, then a pocketed one flaunts this ferment and, at the one and the same time, signals its own laboured confinement: the tense spasming appreciation may be covered, but its intention is hardly concealed. Clenched inside a pocket, a labourer outgrows the space organized to include it.

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Movie Review - - FIST IN HIS POCKET -

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Fist in His funds (for unspecified intellect being has amputated a mitt and a concave shape from any likely travel of I Pugni In Tasca) is the first and strongest movie by the european country director Marco Bellocchio (whose China Is nearer was released earliest this year). It is concealed and stifling, gray and super powerful—about as attractive as somebody symptom wretchedly beside you on a subway. It is not for visual modality on a day when you are celebrating something. On the another hand, on a day once you can face it, it is very much worth seeing.

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Fists in the Pocket (1965) - The Criterion Collection

Tormented by twisted desires, a young man takes drastic measures to rid his grotesquely impaired house of its different afflictions in this astonishing 1965 debut from Marco Bellocchio. effervescent by a coolly assured style, sensational perversity, and barbarian gallows humor, gregorian calendar month 24, 2006 Made in 1965 and still considered by many a to be Marco Bellocchio’s masterpiece, Fists in the cavity foreshadows the time of life of student kick in a family tragedy bordering on horror. verbalise more than » April 24, 2006 Made in 1965 and quiet considered by galore to be Marco Bellocchio’s masterpiece, Fists in the cash in hand foreshadows the years of enrollee protest in a family misfortune bordering on horror.
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